Erroll Garner
A Night at the Movies

Released 1965, Remastered 2019

This newly restored classic Garner album contains music from some of the last studio sessions of Garner's longest-running trio, with Eddie Calhoun (bass) and Kelly Martin (drums). After nearly a decade of touring and recording together, they function here as an uncanny musical unit, deftly navigating Garner's twists and turns. Here are a dozen of his favorite deep cuts from the movies he loved as well as the previously unreleased "You and Me”.

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About the Album

Credits

Piano Erroll Garner Bass Eddie Calhoun Drums Kelly Martin Recorded June 24-25, 1964 at Gotham Recording Corp & August 5-6, 1964 at RCA Studios NYC Recording Engineer Bob Simpson Original Producer Martha Glaser Cover Photograph Dan Wynn Mastering (Octave Remastered Edition) Michael Graves, Osiris Studio Mixing (Octave Remastered Edition) Peter Lockhart

Piano Erroll Garner Bass Eddie Calhoun Drums Kelly Martin Recorded June 24-25, 1964 at Gotham Recording Corp & August 5-6, 1964 at RCA Studios NYC Recording Engineer Bob Simpson Original Producer Martha Glaser Cover Photograph Dan Wynn Mastering (Octave Remastered Edition) Michael Graves, Osiris Studio Mixing (Octave Remastered Edition) Peter Lockhart

Liner Notes

A NIGHT AT THE MOVIES with Erroll Garner is a rare musical excursion. For Garner is no ordinary guide. One of the most original and individual voices in contemporary music, Garner improvises here on 12 immortal songs from the films, reflecting his impressions of the stars and their times.

In his approach, Garner steers away from the oft-recorded songs from film musicals, film title songs, and themes. Instead, he seeks to dig a little deeper into the essence of films and their personalities, in terms of music which often was background to the drama, or used to complement the dramatic action.

Garner's recording sessions are noted for their spontaneity and entirely ad lib quality. He is completely free as he improvises all of the material in actual performance.These record dates took on an almost game-like quality, as Garner and his accompanists tried to tally a tune with the film it marked, with the star it symbolized, with the year, etc.

The sessions became exhilarating as they acted out scenes from films, raucously humming, singing, or whistling a suggested tune from a film, each of them drawing on his differing impressions of the stars, films, the year. The idea here is infectious. Try it. See whether you can match the song and the film and the star and the year. See how much you can remember the period the film portrays.

Clearly, Garner has a very special “feel” for the movies. He grew up with them, sometimes playing piano in the pit of movie houses as a young boy, sometimes playing organ for the bouncing ball for movie-house community sings. By the time he was seven, he was appearing on the Saturday matinee vaudeville sessions at a major movie house in Pittsburgh, with Dick Powell as singing emcee of the programs. In more recent years, Garner also has written music for the films.

The immediacy of his portrayals, coupled with Garner's instinctive feeling for turning everything he sees, hears and thinks into unique musical terms, makes this album a compelling listening experience.

The self-taught Garner has been a dominant musical voice for over two decades. He has received major awards throughout the world for his work as a pianist and as a composer (MISTY and many others).

Garner's virile vitality is more than ever evident in this album. He obviously delights in playing. He swings in every mood and in every tempo, with his own built-in unparalleled time sense. The spirited atmosphere of these recording sessions, their complete freedom, is reflected in the energy and feeling of this album, with each selection a brilliant vignette.

Pianist-composer Garner in an entertaining and penetrating series of portrayals of great stars and their memorable film moments.

A NIGHT AT THE MOVIES with Erroll Garner is a rare musical excursion. For Garner is no ordinary guide. One of the most original and individual voices in contemporary music, Garner improvises here on 12 immortal songs from the films, reflecting his impressions of the stars and their times.

In his approach, Garner steers away from the oft-recorded songs from film musicals, film title songs, and themes. Instead, he seeks to dig a little deeper into the essence of films and their personalities, in terms of music which often was background to the drama, or used to complement the dramatic action.

Garner's recording sessions are noted for their spontaneity and entirely ad lib quality. He is completely free as he improvises all of the material in actual performance.These record dates took on an almost game-like quality, as Garner and his accompanists tried to tally a tune with the film it marked, with the star it symbolized, with the year, etc.

The sessions became exhilarating as they acted out scenes from films, raucously humming, singing, or whistling a suggested tune from a film, each of them drawing on his differing impressions of the stars, films, the year. The idea here is infectious. Try it. See whether you can match the song and the film and the star and the year. See how much you can remember the period the film portrays.

Clearly, Garner has a very special “feel” for the movies. He grew up with them, sometimes playing piano in the pit of movie houses as a young boy, sometimes playing organ for the bouncing ball for movie-house community sings. By the time he was seven, he was appearing on the Saturday matinee vaudeville sessions at a major movie house in Pittsburgh, with Dick Powell as singing emcee of the programs. In more recent years, Garner also has written music for the films.

The immediacy of his portrayals, coupled with Garner's instinctive feeling for turning everything he sees, hears and thinks into unique musical terms, makes this album a compelling listening experience.

The self-taught Garner has been a dominant musical voice for over two decades. He has received major awards throughout the world for his work as a pianist and as a composer (MISTY and many others).

Garner's virile vitality is more than ever evident in this album. He obviously delights in playing. He swings in every mood and in every tempo, with his own built-in unparalleled time sense. The spirited atmosphere of these recording sessions, their complete freedom, is reflected in the energy and feeling of this album, with each selection a brilliant vignette.

Pianist-composer Garner in an entertaining and penetrating series of portrayals of great stars and their memorable film moments.

Martha Glaser

Tracklist

1
You Made Me Love You
2
As Time Goes By
3
Sonny Boy
4
Charmaine
5
I Found a Million Dollar Baby (In a Five and Ten Cent Store)
6
I'll Get By
7
Three O'Clock in the Morning
8
Stella by Starlight
9
Jeannine I Dream of Lilac Time
10
Schoner Gigolo (Just a Gigolo)
11
How Deep is the Ocean
12
It's Only a Paper Moon
13
Newsreel Tag (Paramount on Parade)
14
You and Me

Companion Podcast

Episode 5 – Vijay Iyer on A Night at the Movies

Vijay Iyer joins Robin D.G. Kelley for a journey into Garner’s 1965 trio album A Night At The Movies. Their conversation not only deconstructs that music, but it explores the deep connections between Vijay Iyer’s own work as a musician and scholar, and the foundational elements of Garner’s unique and undeniable artistry. A Night At The Movies is Garner’s love letter to the films of his youth, and contains some of the finest studio recordings of his longest running trio with drummer Kelly Martin and bassist Eddie Calhoun.

Explore the full series